A working studio of early cinema
1895 1935
Three cameras, three stages, working optics and film stocks. Light the set and shoot a take, watch it come back from the lab, then edit your takes into a reel.
Best with sound on.
Drag shots to reorder. Each join is a cemented splice.
No takes yet. Record one in Shoot — or run a real film from 1878–1935 through the lab.
Real films, public domain, streamed from Wikimedia Commons. Pick one, then tint, tone, age and burn it in the lab.